thespian.
We scafffold the realms of reality into a visual artifact leveraging the artists as well as musicians in Munich.
ethos.
labradorescence.
We film the night ocean with its flickering glints of light. The space between the fish and the moon. Like a wished-for song of light with no metaphor to it's labradorescence.
charm.
The gaussian brings certainty to the seemingly uncertain. We too capture the Strange and Charm, we let people see the Coriolis. All hats off to Carl Friedrich Gauss for adding nifty contrivance like the gaussian blur to our noisier film camera footage.
laplacian.
Weyl’s law holds for vibrating membranes, the drums. Weyl’s law has its roots in music. Ours is a small tribute to Hermann Klaus Hugo Weyl.
our production.
music.
We blend Indus Valley's music from the Himalayas with scenic melts of Munich.
short films.
Our stories are raw, rough, metaphorical and challenge refined tastes.
cinemetography.
We capture the luminosity of souls percolating through multiplexing veils of nature's permeability.
VFX.
We are the Gaussian. We are the Weyl. Our inspirations allow us to variate the shields of light and partially reveal them as stories.
Aks-e-Khaam.
We scafffold the realms of reality into a visual artifact leveraging the artists as well as musicians in Munich.
brand new videos from our singers.
Ibrahim A.
I'm the writer and director at Gauss Weyl Films. I've written a Pakistani science fiction action film starring Humayun Saeed and Syra Shehroz. Now i'm working on upcoming films at GWFP.
Shameer N Khan.
I was selected as a Yale Young Global Scholar spending the Summer in the United States in 2015. I recently launched my song 'Mullah' from my music album 'Paper & Pen'.
Bilal Awan.
Being for the sake of nonbeing. Occasional Nomad. Some pleasure for the skin, all else for the mind. I've directed and written several films.
write to us.
